Date of Award
Master of Arts in Liberal Studies (MALS)
This critical discourse analysis examines representations of Eleanor Roosevelt in a wide range of biographical, docudrama, and documentary film and television from 1945 to 2014. By focusing on the figure known by many as the most important woman of the twentieth century, and one who appears as a character or subject in over eighty movies and television programs, I investigate recurring discourses around heteronormativity and cultural constructions of gender and sexuality for American women over time. These filmic portrayals reveal attempts to normalize Eleanor's life, framing her accomplishments and motivations through lenses of marriage and family, or they "queer" Eleanor's legacy by calling attention to difference. This includes themes that create an image of a lonely woman who must find fulfilment outside of a failed marriage, an asexual Victorian persona, or more recently, a very independent woman with a personal life outside of home and family. Today's Eleanor is not merely an extension of her husband, the eyes and ears of the President of the United States, nor his jilted wife, or even a saint.
Beauchamp, Angela, "Suffering Saint, Asexual Victorian Woman, Or Queer Icon? Cinematic Representations of Eleanor Roosevelt" (2015). MALS Final Projects, 1995-2019. 98.