Date of Award
11-1-1997
Document Type
Thesis
Degree Name
Master of Arts in Liberal Studies (MALS)
Department
Liberal Studies
First Advisor
Victor Cahn
Second Advisor
Daniel Balmuth
Abstract
The primary objective of this paper is to show a connection between a revolution in thought, a "new consciousness," of young intellectuals at the turn of the nineteenth century and the ideas of their forefathers that preceded them. The phrase, "new consciousness,'' to which this paper frequently refers, is somewhat of a misnomer in that the development of these revolutionary ideas was intimately related to the philosophical, scientific, political and aesthetic traditions from which the generation of 1900 sought to separate themselves. In their eagerness to find an identity, what those of that era chose to define as "new" was actually the result of a creative synthesis formed from the dialectic of what they as a generation inherited and what they imagined. In dramatic literature, no better example of such a synthesis exists than August Strindberg's, A Dream Play, which so innovatively and powerfully merges naturalism, the literary form of the material and scientific consciousness of the nineteenth century and expressionism, the form of the subjective and irrational modern mind of the twentieth century.
Recommended Citation
Aiello, Stephen, "Modern Drama and Culture: A Dramaturgy of August Strindberg's A Dream Play" (1997). MALS Final Projects, 1995-2019. 8.
https://creativematter.skidmore.edu/mals_stu_schol/8